As a graduate of Berklee College of Music and a bi-vocational pastor who makes the bulk of his living as a professional musician, I was intrigued to read Jeffrey Keuss’s exploration of popular music and how it relates to the theological loci of faith, hope and love. Keuss is a professor and Associate Dean in the School of Theology at Seattle Pacific University. What initially strikes the reader is the author’s engaging prose, which draws the reader in with a sharp wit, perceptive insight and an unassuming intelligence. Keuss is clearly a sharp-minded theologian, yet he manages to produce a work that is indeed rich in theological insight, but also entirely accessible to the layman.

The basic premise of the book is that there is much that can be learned from the world of popular music as it pertains to our search for meaning and existence. The author argues that what many of us search for and yearn to experience through church, worship and community, others search for through popular music. Keuss writes, “our neighbor is not only listening to the music that many Christians listen to but also listening for the very things that animate the hearts and the minds of those sitting in the pews on a Sunday morning” (p5&6). Keuss describes these musical soul-searchers and songwriters as “sonic mystics”, an apt name that tips its hat to the medieval Christian mystics who sought divine encounters and communion with the living God.