Praying in the Spirit: Singing in the Spirit
There is a problem, however. If the Church is going to practice singing in Spirit and if the Bible says so little about it, how is the Church to use such singing? The answer, we know, must come from Scripture. And it seems to me that the best approach is to apply what the Bible has to say about (1) music in general, (2) singing in general, and (3) speaking in tongues. I do not believe that the practice of singing in the Spirit will be misused if handled in this manner. Not only can we draw principles of structure through this approach, but we can perhaps get a better idea of the meaningfulness of the glossolalic utterance.
Has the similarity between glossolalia and music occurred to you? It seems that one could build an apologetic for glossolalia upon the analogy of music. Both are articulate, but neither expresses explicit meaning. Both use the creativity of the individual as it is inspired by the Spirit.
Music loosens us from the rationalism that can constrict the mind and spirit. Sometimes, as I have suggested, our minds can actually come between us and God; the same anchor that saves a vessel from beaching and thus destruction may also serve to fasten it to the bottom of the sea when it should be racing towards its destination. Music loosens the spirit from its earthly moorings, from the rivets of rationalism and strictures of the cerebral. Music takes us beyond word intelligibility in its attempt to express the inexpressible (Johannson, pp. 96-100).
Music takes us to the mystery, the wonder, the awe of God. We cannot follow the gray-nerve road of the cortex and get all the way there. At some point we must leap from the stationary platform onto the mystical transportation music provides. As has been said, music can indeed take us into another world and “unveil heights and depths in life not otherwise accessible to our observation” (Hunter, ed. pp. 34-35).
Category: Spirit, Spring 2001